Guitar Lessons - Bolero Guitar Resources
Classical Guitar Curriculum Based on Frederick Noad's Solo Guitar Playing 1 and 2. This course is comprised of four Modules which may be completed in four 15-week sessions. The course may also be completed at the student's own pace.
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8. TECHNIQUE AND PRACTICE I
- Review of Music Notation IV
- Malaguena, Traditional
9. TECHNIQUE AND PRACTICE II
- Test #2: Malaguena
- Waltz and Andantino by Ferdinando
Carulli
10. INTRODUCTION TO CHORDS
- Test# 3 Waltz and Andantino
11. THE CONCEPT OF VOICES
- Review of Chords
- Counting Two Lines
- Minimum Movement Principle
12. LIGADO TECHNIQUES AND DOTTED NOTES
- Review of Voices
- Ascending and Descending Ligado
- Counting Dotted Notes
- Test #4
13. STUDY #1
- Review of Ligado and Dotted Notes
- Greensleeves, traditional
- Etude by Ferdinando Carulli
14. STUDY #2
- Test #5 (Greensleeves and Etude)
- Allegretto by Frederick M. Noad
- Study in Ligados, anonymous
- Saraband by Robert De Viseé
15. GENERAL REVIEW II
- Test #6
- Memorization
- Daily Exercises
- Coordination and Practice
- Ascending Ligado (Slur)
- Descending Ligado
- Arpeggios
- Scales
1. GUITAR BASICS
a) Parts of the Guitar
b) The Fingerboard
c) Web: Introduction to Scales
2. BASIC TECHNIQUE
a) Review of Guitar Basics
b) Right Hand
c) Left Hand
d) Test #1
3. MUSIC NOTATION I
- Clef Sign, Lines and Spaces
- Time and Counting
- Common Time and Incomplete
Measures
- Notes on Open Strings
- Notes on the Frets
- 1st String
- 2nd String
4. MUSIC NOTATION II
- Review of Music Notation I
- Notes on the Frets
- 3rd String
- 4th String
- Rests and Ties
5. MUSIC NOTATION III
- Review of Music Notation II
- Eighth Note, Sixteenth Note and Thirty-
second note
- Counting Eighth Notes
- Notes on the Frets
- 5th String
- 6th String
6. GENERAL REVIEW I
- Review Music Notation I, II, III
- Technique and Position
- Music Reading
- Spanish Study
7. MUSIC NOTATION IV
- Sharps and Flats
- Natural Signs
- Key Signatures
- Notes on the First Position
8. ORNAMENTATION
- Test #5 (Etude in B Minor)
- Review of Scales and Melody and
Arpeggio
- The Trill
- The Reverse Mordente
- The Appoggiatura
- Pavane in A Minor by Gaspar Sanz
9. THE SEVENTH POSITION AND STUDY #5
- Test #6 (Pavane in A Minor)
- Review of Ornamentation
- The Importance of Higher Positions
- Etude in A by Matteo Carcassi
10. STUDY #6
- Test #7 (Etude in A)
- Minuet in C by Fernando Sor
11. STUDY #7
- Test #8 (Etude in A)
- Etude in C by Fernando Sor
12. HARMONICS, ADVANCED TECHNIQUES
- Test #9 ( Etude in C)
- Natural Harmonics
- Octave Harmonics
- Harmonics with Chords
- The Tremolo
- Pizzicato
- Tambor
13. STUDY #8
- Review of Harmonics and Advanced
Techniques
- Adelita by Francisco Tarrega
14. STUDY #9
- Test #10 (Adelita)
- Lagrima by Francisco Tarrega
15. STUDY #10
- Test #11
- Romance, Anonymous
1. THE SECOND POSITION AND MUSIC
NOTATION V
- Sonatina by Thomas Attwood
- Dynamic Markings
- Tempo Indications
- Counting Sixteenth Notes
- Damping
2. THE THIRD POSITION AND MUSIC
NOTATION VI
- Review of Second Position and Music
Notation V
- The Half Bar
- Counting In Eighth Notes
- Six-Eighth Time
- Rondo by Ferdinando Carulli
- Test #1
3. STUDY #1
- Review of Third Position and Music
Notation VI
- Canary Jig (Canarios)
- Minuet by Robert De Viseé
4. STUDY #2
- Test #2 (Canary Jig and Minuet)
- Bourée by Robert De Viseé
- Bourée by J. S. Bach
- Musicianship
5. FIFTH POSITION AND THE FULL BAR
- Test #3 (Bourée-RDV and Bourée-
JSB)
- Notes on the Fifth Position
- Rules for Forming the Full Bar
- La Caňa
6. STUDY #4
- Review of First Position and the Full
Bar
- Tone Production
- Vibrato
- Left Hand Techniques
- Right Hand Techniques
- Pavane by Luis Milan
- Etude in D by Fernando Sor
7. SCALES, MELODY AND ARPEGGIO
- Test #4 ( Pavane and Etude in D)
- The Chromatic Scale
- The Major Scale
- Scales and Keys
- The Minor Scales
- Extended Scales
- Scale Fingerings
- Three String Scales
- Recognition of Melody in Arpeggio
- Techniques for Emphasis of Melody
- Etude in B Minor by Fernando Sor